"If we p idieran that condensáramos the twentieth century that runs on a mental image, I would choose a well known by all. A man in a car, going on a highway concrete to an unknown destination Here are almost all aspects of modern life, for better and for worse: our sense of speed, aggression and drama, the worlds of advertising and consumer goods, engineering and mass production, and the shared experience of moving together for a landscape carefully marked. "
JG Ballard, User Guide for the New Millennium As'm reading the new publications of authors that I admire for many years, my enthusiasm decreases while increases with each work of JG Ballard. One of the most important and fundamental when creators understand this new millennium we live; the death throes of capitalism and an alienated security cameras society that survives in a system, which despite its decline, fits, is flexible and survives as spoiled and bored children, destructively, exploiting our own psychopathology with violence and meaningless . The common denominator of Ballard, is also the description of a near future in which much importance is given to the environment as a decisive influence on the character of his characters. The author says: "We live in the era of events nonsense deranged People open fire and shoot randomly at a supermarket and what do we cleanse the blood of the dead and keep buying This is a very dangerous response.?.." So dangerous as the judgment of André Breton in his Surrealist Manifesto: "The simplest surrealist act would go down the street and shoot criminadamente indis over the crowd." Obviously, Breton years later regret. Ballard began his impressive literary career in the sixties security cameras with a series of extraordinary novels catastrophic spending priorities of the classic English novel of disasters ranging from HG Wells to John Windham with already security cameras famous and imitated books like; The Day of the Triffids, The Midwich Cuckoos and pupae. In these early forays Ballard disaster is welcome, because the landscape has produced coincides with the mental state of the hero: Wind from Nowhere, The Drowned World (here anticipated climate change with sea level rise and its serious consequences), Drought and World of Glass; the four natural elements; wind, water, fire and earth. It is fair to speak of surrealism, because the influence of painters of the surrealist movement has marked Ballard much more than any other writer. Are not pictures of surrealism iconography of the interior? The author paints with words on the broken skyline of the city, like the zigzag EEG of an unresolved mental breakdown canvas. Max Ernst, Paul Delvaux, Yves Tanguy, de Chirico and Dali, parade through his novels with a linguistic experimental waste of hallucinatory intensity. security cameras "It's security cameras the inner space, not outside, security cameras it takes explore." It is also one of the few writers who has successfully combined security cameras science with artistic elements in a flawless prose. His collections of stories: Terminal Beach, security cameras The eternal day, Myths of the near future Caravan disaster are a must for those who do not know what all this new variant of the modern short story reading. His second stage began with Crash (adapted for film in 1997 by David Cronenberg) and the display of atrocities. Both books show an experimental change, which the author described security cameras as "literary terrorism" in a harsh language in which no concession is not made to the reader. "Crash is an exaggerated metaphor in a time when only the exaggeration works." It is a terrible, devastating visionary novel; perhaps the work of more disruptive and violent fiction security cameras ever written. It is a story about technology, obsessively represented by car; icon of the twentieth century. But it's more than that; It is a story about man's relationship with technology, what technology has done with us, and what we have done to ourselves through technology. The author writes in the foreword to the novel: "The security cameras marriage of reason and nightmare that dominated the twentieth century has spawned an increasingly ambiguous world spectra sinister technologies and the dreams that money can buy move on. . The communications landscape technological weaponry and soft drink ads coexist in a domain of blinding lights governed by advertising and pseudo events, science and pornography (...) our own psychopathology; in our power to conceptuality in Unlimited appearance. Our children
